| 1. | By director lee chang - dong , when the lines of dialogues are over three sentences , i really wanted to be the director then
另外我近来亦在导演leechang - dong的电影oasis演出一角，当我需要念超过三句冗长的对白时，我真的想做回导演算了！ |
| 2. | By director lee chang - dong , when the lines of dialogues are over three sentences , i really wanted to be the director then
另外我近来亦在导演leechang - dong的电影《 oasis 》演出一角，当我需要念超过三句冗长的对白时，我真的想做回导演算了！ |
| 3. | Despite the fact that novelist - turned - filmmaker lee chang - dong has chosen film as his medium of expression in the recent decade , his work continues to imply a distinctive literariness
前身为小说作家的李沧东，虽然以电影作为表达的媒体，但作品亦往往流露一种文学性。 |
| 4. | Nevertheless , director lee chang - dong s approach is very different from kim gi - duk . he is not an exotic and surrealistic stylist , his style leans more towards the realist school in which a solid and realistic drama structure is stressed
在一个偶然的机会下， jong - du碰上gong - ju ，被她深深吸引，两人慢慢展开一段不为人知的畸恋。 |
| 5. | Nevertheless , director lee chang - dong s approach is very different from kim gi - duk . he is not an exotic and surrealistic stylist , his style leans more towards the realist school in which a solid and realistic drama structure is stressed
在一个偶然的机会下， jong - du碰上gong - ju ，被她深深吸引，两人慢慢展开一段不为人知的畸恋。 |
| 6. | At first glance , it seems that the director is apathetic for setting up such a forced tragedy , but if you look closely , you will begin to realize that lee chang - dong does actually show genuine emotions towards the characters he designed he also wrote the script of this movie
片中两个主角都充满缺陷， jong - du曾坐牢，平时无所事事，工作不认真， gong - ju则是痉挛人士（但此角不是弱智，理解能力没有问题，只是身体活动能力不受控制） 。 |
| 7. | At first glance , it seems that the director is apathetic for setting up such a forced tragedy , but if you look closely , you will begin to realize that lee chang - dong does actually show genuine emotions towards the characters he designed ( he also wrote the script of this movie )
片中两个主角都充满缺陷， jong - du曾坐牢，平时无所事事，工作不认真， gong - ju则是痉挛人士（但此角不是弱智，理解能力没有问题，只是身体活动能力不受控制） 。 |
| 8. | Has already demonstrated the power of sadistic love . nevertheless , director lee chang - dong s approach is very different from kim gi - duk . he is not an exotic and surrealistic stylist , his style leans more towards the realist school in which a solid and realistic drama structure is stressed
片中两个主角都充满缺陷， jong - du曾坐牢，平时无所事事，工作不认真， gong - ju则是痉挛人士但此角不是弱智，理解能力没有问题，只是身体活动能力不受控制。 |
| 9. | Jong - du is unable to find a good job because of his criminal record and his laziness ; gong - ju is suffering from cramp that prohibits her from leading a normal life but she is not mentally handicapped . at first glance , it seems that the director is apathetic for setting up such a forced tragedy , but if you look closely , you will begin to realize that lee chang - dong does actually show genuine emotions towards the characters he designed he also wrote the script of this movie . his intention of telling this story is to fight for these minorities of the society rather than to tease or ridicule them
她的哥哥靠她伤残的身分获分配舒适的宿舍，却残忍地把她赶到残破的旧楼居住，只靠邻居照顾她，因而不知道她和jong - du交往，最终闹成悲剧邻居以为他不懂事，公然在她面前和男人造爱她和jong - du到餐馆吃饭不获接待，被逼回家叫外卖他们参加jong - du母亲的生日派对，被jong - du的兄弟不礼貌对待。 |
